How terrorism works: N. Korea uses Japanese hostages to censor “The Interview”

Last week, I wrote that the North Koreans who had unwittingly lavished free publicity on “The Interview” by threatening its makers still had a thing or two to learn from the mobs of angry Muslim extremists who extorted President Obama into asking YouTube to “consider” removing “The Innocence of Muslims.”

My judgment may have been premature. Film industry trade journals are now reporting that Sony Pictures Japan has demanded changes to the script of “The Interview” to minimize the offense against His Porcine Majesty. If true, the report suggests that North Korea has successfully used its kidnapping of Japanese civilians from their own country to demand – and get – the censorship of a mass-marketed film parodying its dictator:

The film, about a pair of TV journalists recruited by the CIA to assassinate the North Korean despot, has become a hot potato for the studio, which is owned by Japan’s Sony Corp. (the country recently has taken steps to ease tensions with its enemy to the West after decades of icy relations). Sources say the studio is considering cutting a scene in which the face of Kim Jong Un (played by Randall Park) is melted off graphically in slow motion. Although studio sources insist that Sony Japan isn’t exerting pressure, the move comes in the wake of provocative comments from Pyongyang that the film’s concept “shows the desperation of the U.S. government and American society.” (Directors Rogen and Evan Goldberg are in fact Canadians.) An unofficial spokesperson for the rogue nation took issue with the satirical depiction of the assassination of a sitting world leader and on July 17 asked President Barack Obama to halt the film’s release.

It is unlikely that North Korea is just now catching wind of the film’s hot-button storyline given that THR first wrote about The Interview and its plot in March 2013 (Dan Sterling wrote the screenplay). What’s more likely irking Kim Jong Un – a noted film buff, like his father – is the use of the military hardware, which can be seen in the film’s first trailer released in June.

A source close to Sony’s decision-making says the move to alter the hardware was precipitated by “clearance issues,” particularly because it involves a living person, Kim Jong Un. [The Hollywood Reporter]

The website Firstshowing.net is denying that these changes are due to pressure from Sony Japan, but why else would Sony make this change other than because of North Korean objections?

Some of the changes reportedly come at the behest of Sony Japan, in the interest of improving and maintaining relations with its nearby neighbor. The face-melting scene is reportedly being judged for comic value, but who actually believes that it might be cut at this point for any reason other than keeping North Korea happy? [Slashfilm]

The next question is why Sony Pictures Japan even cares what Kim Jong Un thinks. The answer is almost certainly ransom. If not for a recent ransom deal between Pyongyang and Tokyo, in which Tokyo agreed to relax sanctions in exchange for Pyongyang’s agreement to “investigate” the whereabouts of the Japanese abductees, there would be no reason for anyone pay attention to North Korea’s bluster.

In the years preceding October 11, 2008, it had been the U.S. government’s view that North Korea’s kidnapping of Japanese citizens (including a 13 year-old girl) from their own country was terrorism, and that its continuing captivity of these hostages (not all of them Japanese) was one of several reasons to list North Korea as a state sponsor of terrorism. In April of 2006, President Bush met with the mother of that girl, calling it “one of the most moving meetings since I’ve been the President here in the Oval Office.”

But North Korea is an accomplished exceptionalist to the rules that the rest of humanity lives by, and just two years after that meeting and Bush’s implied promise to the mother, Sakie Yokota, Kim Jong Il cajoled Bush into removing it from the list and lifting some powerful financial sanctions that may have brought his regime to the brink of extinction, and that might well have forced North Korea to let the abductees go.

Suddenly, and with a brazen mendacity not seen since Moscow in the 1930’s (except, of course, in Pyongyang), it became the official position of the U.S. Department of State that North Korea was “not known to have sponsored any terrorist acts since the bombing of a Korean Airlines flight in 1987.” (The statement would become more difficult to defend with the passage of time, as North Korea was caught selling arms to Hamas and Hezbollah, and launched a campaign of poison-needle assassinations of human rights activists and North Korean exiles.)

The unintended consequences of Bush’s reversal have continued right up to this year, and include a decision by an impatient Japanese government to unilaterally lift sanctions against North Korea as an initial ransom payment for the return of its people. The Obama Administration, which paid little mind to Japan’s pleas for U.S. support on the abduction issue, has reacted to this with justifiable alarm. Japan’s relaxation of sanctions not only rewards terrorism, it weakens a regional security alliance against Pyongyang, and relaxes the economic pressure that is its last slender hope to disarm Pyongyang of its nuclear arsenal.

Although Pyongyang has delivered little so far in admitting to the whereabouts of the missing Japanese, there have been rumors in the Japanese press that its demands were not all financial. It has demanded, for example, the return of the headquarters of Chongryeon, the North Korean front organization in Japan that had a hand in the kidnappings of Japanese, and which had been seized for non-payment of taxes. It is also rumored to have used its business relationships with Japanese media companies to suppress the views of critics of North Korea’s human rights atrocities.

So it always goes when governments and businesses are tempted into intercourse with Pyongyang. The patron is expected to pay exorbitantly for a brief and unsatisfying rut, and in the end, it is never Pyongyang that is seduced – or infected – by the exchange.

The fact that “The Interview” is likely of dubious artistic merit is beside the point. If North Korean censorship has arrived at a multiplex near you, that’s pernicious, and may be the best reason yet to boycott the film.

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Update: This post was edited after publication.