First as tragedy, then as farce

The story I linked Monday about Michael Kirby’s comments spurring the U.N. to action in North Korea eventually grew into two posts, because in the same story, Kirby also warned against trivializing what’s happening in North Korea.

The Commission of Inquiry, which reported to the UN in March, detailed horrific abuses of human rights in North Korea, including starving political prisoners reduced to eating grass and rodents in secret gulags, schoolchildren made to watch firing squad executions, and women forced to drown their own babies to uphold racial purity laws.

Justice Kirby compared the actions of the North Korean regime to a modern-day Holocaust, and he warned against treating North Korea as a quirky, oddball regime.

“Please do not think North Korea is a cuddly, cute sort of a case, with a leader with a bad haircut who is nonetheless loveable and is going to go in the right direction because he’s a young man. This is not a situation where a young person is going to bring a new broom, if his is a new broom it is a violent new broom. Things have not improved.”

I suppose Justice Kirby was talking about films like “The Interview” and the Dennis Rodman parody “Diplomats,” neither of which I’ve seen. Based on the description of the plot premise, it’s clear to me that “Diplomats” is too stupid to have much redeeming artistic merit, and will almost certainly trivialize a terrible tragedy. It deserves, frankly, to be the object of a boycott, but as North Korea has learned, protests like these often backfire — just like Dennis Rodman’s birthday serenade did. The learner’s-permit demographic that films like “Diplomats” target are unmoved by moral and philosophical arguments, and by standards of taste.

If you filled a thimble with everything Dennis Rodman knew about North Korea last year, there would still be room for everything Dennis Rodman remembers about North Korea this year. Rodman has suggested, probably seriously, that he deserves the Nobel Peace Prize for his addlebrained adventures in North Korea. Most people dismissed this as farce, but to be fair, Rodman may (however inadvertently) have done as much to bring Pyongyang’s crimes against humanity into the global consciousness as Kirby’s carefully documented report.

That is both good and a sad comment on the state of our media and human rights watchdogs today. The sadder comment is that no watchdog, no global law-giver, no son of Korea in any position of global leadership, and no Nobel Peace Prize-winning leader of any nation, indispensable or otherwise, has lifted more than a token finger to press for action on the findings of the COI’s report, so far. The people of North Korea have been forgotten for decades. All indications are that in September, the General Assembly will send Justice Kirby’s report to the Security Council. All indications also suggest that after 48 hours of page four news, the U.N. will have forgotten it by the end of October.

My expectations for “The Interview” are almost as low. “The Interview,” however, benefits from much promotional assistance from the North Korean government. With its impeccable talent for irony, North Korea’s official “news” service, KCNA, printed a statement by the Foreign Ministry that called the film “terrorism,” accused the United States of “bribing a rogue movie maker to dare hurt the dignity of the supreme leadership of the DPRK,” and threatened “to mercilessly destroy anyone who dares hurt or attack the supreme leadership of the country even a bit.” It concluded, “Those who defamed our supreme leadership and committed the hostile acts against the DPRK can never escape the stern punishment to be meted out according to a law wherever they might be in the world.”

North Korea was removed from the list of state sponsors of terrorism on October 11, 2008. KCNA and the Associated Press signed two still-undisclosed memoranda of agreement in 2011, under which they agreed to cooperate in their reporting of “news” from North Korea.

Thankfully, Pyongyang still hasn’t learned that the best way to censor speech in America is violence — say, summoning mobs into the streets, sacking our embassies, and killing our diplomats. Do that, and our President will go on TV to apologize to the mobs for the very existence of free speech, we’ll jail the heretics who offend you, and our own government will be your vicarious censor. (This is the real Benghazi scandal — and the Republicans can’t see that.)

As with the U.N.’s greater interest in objectively lesser crises, parodies of North Korea also raise the question of double standards. Can you imagine someone making a spoof film about Syria, the Democratic Republic of Congo, or even Gaza? (Not that anyone should.) How many decades passed before a film like “Inglorious Basterds” could be made?

This isn’t to say that North Korea shouldn’t be parodied (it should be), or even that the parodies must be tasteful (the good ones seldom are). What I suppose I am saying is that artistic judgments are balancing tests that weigh what makes a work distasteful against what makes it important. I struggled with that balance in my judgments of films like “Borat” (very funny and thought-provoking, but even more distasteful) and “Team America” (distasteful, but funny and profanely profound). The moral risks of failing that test are greater if the work’s effect is to blunt our sense of outrage.

The truth, of course, is that Justice Kirby deserves the Nobel Prize, and deserves to be the subject of a serious nomination campaign for both himself and his fellow Commissioners. Perhaps that campaign would give one of our world’s great institutions, or their so-called leaders, a small twinge of responsibility to act.

If, in the end, the world is only capable of answering tragedy with farce, it least it should be good farce. It ought to be better a better farce than “Diplomats,” and diplomats.